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  • November 22, 2011

    Audition Season

    Vanessa Blakeslee

    [dropcap]S[/dropcap]everal weeks have passed since this October’s production of An Evening Unveiled, the twice-yearly show presented by my dance school, Orlando Bellydance. As darkness falls sooner and the nights grow cooler, so too the rhythm of our school slips back into a quieter routine of classes and workshops. But underlying the quietude there grows a…

    Continue reading: Audition Season

  • November 8, 2011

    On Nonfiction, or Taking Center Stage in a Gold-Sequined Bra with a Sword on Your Head

    Vanessa Blakeslee

    [dropcap]I[/dropcap]’ve been writing a lot of nonfiction lately: short memoirs, essays, and book reviews, in addition to this column. This isn’t a particularly noteworthy or interesting revelation, except when you consider I have shirked the realm of “creative nonfiction” in all its forms up until now in my writing career. Even during my MFA program,…

    Continue reading: On Nonfiction, or Taking Center Stage in a Gold-Sequined Bra with a Sword on Your Head

  • November 2, 2011

    An Interview with Heather Aimee O’Neill

    Ashley Inguanta

    Heather Aimee O’Neill is the Assistant Director of the Sackett Street Writers’ Workshop and teaches creative writing at Hunter College. Her work has been published in several literary journals, including Many Mountains Moving and The Truth About The Fact: An International Journal of Literary Non-Fiction.

    Continue reading: An Interview with Heather Aimee O’Neill

  • October 28, 2011

    #7 – A Great Artist Is Never Poor

    Rachel Kapitan

    a review of Babette’s Feast by Isak Dinesen

    Continue reading: #7 – A Great Artist Is Never Poor

  • October 25, 2011

    The Audience vs.The Self

    Vanessa Blakeslee

    [dropcap]I[/dropcap]t’s mid-October, and the dance studio buzzes with pre-show jabber: of sections that still challenge us in our now-memorized routines, of costume and prop woes. I’m spending more time there, renting the smaller rehearsal studio for practice sessions with fellow dancers. Classes have shifted focus to the fine-tuning and cleaning-up of routines, and much like…

    Continue reading: The Audience vs.The Self

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