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2018 Subscription (auto-renew)

$60.00 on January 1st each year and a $60.00 sign-up fee

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If you need to catch up on 2018 books, but don’t want to miss 2019 either, this is your option.

2018 Auto-Renew Subscribers get all of BP’s 2018 books, followed by all BP books for the foreseeable future. You’ll pay $60 now for 2018, then be billed for $60 automatically, annually, starting January 1, after this purchase. Subscribers also receive:

• free shipping
• free ebooks
• Your name in Burrow’s forthcoming books
• illiterati membership

First payment: January 1, 2019

Description

2018 Books

WINTER
SECOND WIFE
Linked fictional snapshots of feminine lust, loss and estrangement by the Flannery O’Connor Award-winning author of Mother Rocket.
SPRING
CLEAN TIME: THE TRUE STORY OF RONALD REAGAN MIDDLETON
A darkly comic satire of academia, celebrity worship, and recovery memoirs set in a near-future America ravaged by addiction.
SUMMER
WORM FIDDLING NOCTURNE IN THE KEY OF A BROKEN HEART
Fabulist, folkloric and whimsical stories featuring an itinerant marionette, a camp counselor haunted by her dead best friend, and a juvenile delinquent languishing in a bootcamp run by authoritarian grandmas… to name a few.
FALL
SPACE HEART
The story of growing up in 1960s Space-Coast Florida with a heart condition and an alcoholic, NASA engineer father.

Select Praise for 2018 books

SECOND WIFE
Second Wife is bursting with wit, tragedy, humor, and heart.”
–ROBERT VENDITTI, The Surrogates

CLEAN TIME
“Ben Gwin writes like F. Scott Fitzgerald high on meth and Clean Time is The Great Gatsby for a generation that thinks fame is the answer to every question.”
–LORI JAKIELA, Portrait of the Artist as a Bingo Worker

Clean Time is a nightmarish dispatch from America in the age of Donald Trump.”
–DEREK GREEN, New World Order

WORM FIDDLING NOCTURNE
“Lojewski too, as Padgett Powell said of Barry Hannah, has her ear to the oracle hole in the ground.”
–JEFF PARKER, Ovenman

“Magic realism meets bildungsroman… In just a few pages, Lojewski creates deeply imaginative and textured worlds.”
–KIRKUS REVIEWS

“Delightfully subversive… Often teetering on the boundary between dream and nightmare.”
–FOREWORD REVIEWS